September 25 – October 30, 2010 – Luiz Vilela at The Phillips’ Mill show

Luiz Vilela’s painting “Fur – Portrait of Donald Becker” is going to be be featured at Phillips’ Mill 81st Annual Juried Art Exhibition this fall.

Phillips’ Mill 81st Annual Juried Art Exhibition will open its’ doors to the public on Saturday, September 25 and run through Saturday, October 30, 2010. The show is open daily from 1-5pm. Adults – $4, Seniors – $3, Students – $2. The Exhibition is held at the Historic Phillips’ Mill, 2619 River Rd. 1 1/2 miles north of New Hope, PA. For information call 215-862-0582.

The artist is going to be at the Phillips’ Mill on Sunday, October 24TH, 2-4PM

Perfecty Flawed by Stina Persson

Sep 15, 2010 by

Fashion illustrator and artiste Stina Persson recent art work is on view until the end of September’10 at
Gallery Hanahou
611 Broadway, Suite 730 New York, NY 10012
+1 646 486 6586

As told by Eva Stenskär:

“Taking a leap of faith always involves a certain amount of terror on behalf of the one leaping. In the new solo show “Perfectly Flawed” at New York City’s Gallery Hanahou, the one taking the plunge is Swedish artist Stina Persson who abandons her digital safety net to create unaltered works that are beautifully perfect – or imperfectly beautiful – and as a result soars.
“I’m so used to not being allowed to make any mistakes, that when I finally am, it’s difficult to accept them,” Persson says at the opening at Gallery Hanahou, glancing at one of her paintings where the watercolor has been allowed to leave a long, runny streak.
“After a while you begin to censor yourself, so it’s good for me to do art like this.”
Persson is first and foremost an illustrator and is as such successful, with corporate clients like Coca Cola, Absolut Vodka and UNIQLO and editorial clients like Vogue Nippon, Harper’s Bazaar and Nylon Magazine. But she’s an equally interesting artist. Says Koko Nakano, her American agent:
“Stina’s work is really fascinating because it crosses over genders and ages. It’s elegant and feminine yet has strong and masculine qualities at the same time.”
According to Nakano, people of different background fall for Persson’s work.
“We get a lot of street artists; hip, young people who want to work with her. Both men and women.”
Persson’s females – and they are only females – are inspired by the 1970’s when authenticity was the commandment and battle songs were sung around the camp fires.
“Everything’s much too slick today,” Persson sighs. “It’s as if everything must be botoxed.”
Persson’s women need no botox. Proud and beautiful they look up and ahead – unaware, or perhaps not caring about, their slight imperfections. They know, as we all do deep inside, that it’s the imperfections that make us interesting and human.

“Perfectly Flawed” runs through October 1. For more information: Gallery Hanahou, 611 Broadway, New York City.
For more of Stina Persson’s work – see here:

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